Box 15
Container
Contains 82 Results:
P526: The home of Suri Bhan was headquarters of Ron duBois. Bindapur, New Delhi, India, 1980
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
1980
P527: Photo of two young women and two children. Bindapur, New Delhi, India, 1980
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
1980
P528: In the first state the potter concentrates on thinning out the thick lower wall of the thrown form. Bindapur, New Delhi, India, 1980
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
1980
P529: Holding the clay anvil by its knob, the potter inserts his left hand inside the vessel and with the flat surface of the paddle begins the first stage of the beating process
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
check
P530: Most thrown vessels with the exception of kulars, or cups, receive the treatment of beating
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
check
P531: The vessel is then lifted, the soft clay often buckling, and carried to the yard where it is placed in a supporting form made from a previously fired vessel to further stiffen
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
check
P532: Because it is summer, however, only two stages are required with one drying period in between
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
check
P533: Left overnight to stiffen, they are ready for beating the next morning
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
check
P534: Beating and throwing are physically the most strenuous and laborious parts of the potter's work. Bindapur, New Delhi, India, 1980
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
1980
P535: The potters eat just two meals a day. Bindapur, New Delhi, India, 1980
Item — Multiple Containers
Content Description
From the Collection:
films, papers, slides, etc. of DuBois' work as a professor of ceramics at OSU's Dept. of Art. Includes his research and work with Korean, African, and Indian artists and art.
Dates:
1980